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Streaming on Hard Mode

Updated: Nov 1

Female Gamers and the Culture of Harassment on Twitch




Twitch promises community, but for many women and queer creators, visibility comes with harassment, burnout, and real-world danger. Studies and firsthand accounts reveal a platform where safety depends on unpaid emotional labor, not company protection.


The insults don’t stop when I log off. On YouTube Shorts, where I post clips from my streams, the comments pile up: gay, fat, ugly, take your pride flag down. Some viewers argue over whether I’m a boy or a girl, when I’m in fact a queer woman. Others mock my setup, complaining about frame rates that I can’t control and how I play, instead of engaging with what I’m actually doing. None of it surprises me anymore as a queer streamer.


For many women, femmes, and queer streamers, the platform isn’t just a stage — it’s a battleground where every moment online is judged, and every deviation from rigid expectations becomes an excuse for harassment.


Twitch, now a billion-dollar cultural giant, thrives on the promise of connection and community. But that promise is unequally distributed. Female and queer creators face harassment that bleeds across platforms, pay gaps that undermine their growth, and the constant burden of curating “safety” for themselves and their communities. What appears to be a career in streaming often doubles as unpaid moderation work, emotional labor, and survival strategies.

This essay draws on my own experience as a longtime on-and-off-again streamer, alongside interviews with others who’ve carved out spaces of resilience in a male-dominated industry. Together, we’ll examine the hidden costs of streaming while female — and what platforms like Twitch must do if equity and safety are ever to become more than marketing slogans.


Twitch's Harrasment Problem


Women already enter Twitch with a disadvantage when it comes to harassment — a reality documented in both scholarship and lived experience. 


“On many occasions I’ve had men come into chat and make sexualized remarks about me calling me hot, sexy, ‘goth mommy,’ asking for feet pics etc… ” — TabbyBat. Right side shows a smiling goth woman with long black hair, black lipstick, and headphones with red devil horns, wearing a mesh top and pumpkin necklace, seated in a room filled with Halloween-themed plushies and décor.

As NathanGamerPlays, a male streamer, says:

“I’ve definitely seen women streamers suffer more harassment than male streamers, especially constant abuse in DMs… It affects their self-confidence and the way they interact with people. It makes them uncomfortable and traumatized.”


His observation reflects broader data. A 2025 quantitative study of Twitch chat logs found that misogynistic language was significantly more common in streams hosted by women, with female streamers facing higher levels of targeted abuse than their male counterparts. A Vienna Media Lab report (2025) found that women on Twitch face a constant stream of sexist remarks, objectification in chat, and even direct threats.


GameHuntaD, another male streamer, notes:

“Some viewers think women are easy targets — they’ll go after them more often than male streamers.” He continues, “If someone’s there because they enjoy the person, they treat her like a friend, but if they’re there for how she looks, they treat her like an object.”


That divide — between being seen as a person or a body — becomes central to women’s streaming experience. It determines how safe they feel, how much they engage, and how often they go live. This also determines how often they ban people based on their own experiences. 


As AsleepyGrim, another male streamer, bluntly puts it:

“Most men are assholes on this platform. You can have a completely normal gamer girl just streaming, not lewd at all, and men will still push her — ‘you’ll get more views if you show more skin.’ It’s supposed to be a gaming platform.”


The result is a constant negotiation between authenticity and performance — a tightrope that men rarely have to walk. 


Female streamer BrieBello explains that harassment is a routine occurrence, “I can’t even pinpoint a single time it’s happened because it’s happened more than once, unfortunately. But I have good mods who ban, or I go toe to toe with them,” she says. “Unfortunately, as a woman, we do become targets.”


TabbyBat, another female streamer, shares her experiences: “On many occasions, I've had men come into chat and make sexualized remarks about me, calling me hot, sexy, ‘goth mommy,’ asking for feet pics, etc. I’ve also experienced creepy comments about how hot my wife and I are during a co-stream I did with her as a guest, talking about how much they like lesbians. Needless to say, they were swiftly banned.”


Even in moments of calm, she says, the emotional toll lingers. “I try not to let harassment get to me too much, which is definitely easier said than done."


BrieBello says that even subtle forms of sexism wear people down over time. “You get the whole ‘you’re a woman — name five games’ thing,” she adds. “I try and give everyone a chance, but the minute they’re sexist, they’re out.”


TabbyBat agrees, “I do feel some people assume I can’t do certain things in games or am not as skilled because I’m a woman, which results in heavier backseating or surprise that I’m able to beat certain bosses or play certain games."


Harassment shifts how women navigate visibility itself. Many women and femmes resort to defensive strategies: filtering chats, blocking harassers, hiding personal information, or limiting access to their communities. These strategies protect their well-being but can also stunt growth and algorithmic visibility. Harassment, then, isn’t only a personal burden; it’s a structural obstacle to professional success.


GameHuntaD, speaking from his own personal experience watching female creators, added, “It definitely makes them more guarded. You can see how women start to close off, even to new people who mean well. Some viewers think women are easy targets — they’ll go after them more often than male streamers.”


Speaking about the broader culture of misogyny on Twitch and the ways female creators are exploited by their male counterparts, female streamer Lydbutton recalls, “I’ve seen [male] creators earn partnerships by mocking and restreaming women. Someone had to review that content and decide, ‘yeah, that’s what we want on the platform.’”


Twitch has implemented measures to address these issues. Transparency reports indicate that in the second half of 2024, the platform enacted 55,963 enforcements under its Sexual Harassment policy, a 27% decline from earlier that year. While Twitch framed this as progress, many critics argue it reflects underreporting rather than resolution. When combining data from the first and second halves of 2024, enforcements related to sexual harassment made up only 4% of all moderation actions that year.



“I’ve seen many people who abuse the rules and never get punished,” Nathan says. GameHuntaD points out that Twitch’s gaps in enforcement often leave creators to protect themselves: “Twitch can’t be everywhere. You have to build a community that doesn’t tolerate that behavior.” 

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Ultimately, harassment can’t be separated from Twitch’s commercial model. Studies indicate that toxicity in online gaming doesn’t just harm well-being–it suppresses participation. For example, “ According to Reach3 Insights, 77% of women gamers experience gender-specific discrimination when gaming, including name-calling, receiving inappropriate sexual messages, gatekeeping and dismissiveness. In other words, harassment in gaming doesn't just cause emotional harm— it determines who feels safe to play, who gets to grow an audience, and who ultimately belongs in the streaming community.


“If you’re constantly being harassed, you’re not going to stream,” GameHuntaD sums it up. “And if you’re not streaming, you’re not making money.”


Moderation, Safety, and Emotional Labor 


For many women and queer streamers, harassment isn’t just a one-time event– it’s a reality that becomes embedded in every aspect of their streaming experience. For female and queer streamers, safety becomes part of their daily workload.From verifying usernames before streams, checking blocked words, and mentally preparing for a stream and possible flare-ups in chat. This behavior, which is often dismissed as “community management,” is, in reality, unpaid emotional labor–the hidden cost of being visible on Twitch. 


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Unlike male creators who simply rely on the scale of their channels and reputation to manage themselves, women face a completely different experience, often left to fend for themselves.

Lydbutton says, “I do most of my own moderation. I wish I could pay my mods — one of them literally uses social work training for free in my space.”


Research supports this experience across the platform. A 2021 study titled The Emotional Labor of Women Twitch Streamers (DiGRA) found that women devote substantially more time to moderating their chats, managing community dynamics, and maintaining a positive atmosphere — forms of emotional labor that are unpaid and far less common among male streamers.


Similarly, The Emergence’s 2024 feature on health and well-being among streamers describes moderation as “a second, invisible job” that keeps women online but drains their energy and creative bandwidth.


AsleepyGrim, puts it plainly: “When people don’t see a mod around, they start acting wild. But once they realize someone’s watching, they chill real quick.” The feeling of constant surveillance defines the streamer experience for many marginalized creators. Even when the hate goes away during livestreams, the apprehension lingers. It's only a matter of time before the hate returns. The work of maintaining civility, building trust, and creating a safe space for followers often comes at a high emotional cost.


As TabbyBat describes, moderation isn’t just reactive — it’s proactive communication. “We communicate with each other often, especially if a suspicious person is in chat or if someone starts pushing boundaries or is being inappropriate. I also encourage people in my community to contact me or a mod if anyone makes them feel uncomfortable, even if they think they may be overreacting. Oftentimes, if someone is making you feel uncomfortable, they're making others uncomfortable too.”


BrieBello echoes this same feeling of vigilance. “I try not to give my mods too much of a job — they work for free, after all. I usually handle a lot of the trolls, bans, etc. But sometimes when I’m super busy in a game, I can’t tab out, so they handle it if need be.” For her, boundaries are key. “Just because someone subs to you or sends you money does not mean you owe them space into your private life or in general,” she explains. “I’m very blunt and honest with my viewers and to those who have used IRL money on me.”


Before I returned to streaming, I used to mod for another woman, someone more femme-presenting than me, and I saw firsthand how quickly unwanted attention could turn invasive. She had planned for a hot tub stream, and as soon as she began, men began to flood her chat with requests for nudes, feet pics, or “private” streams. I found myself banning them left and right.  


That experience alone changed the way I understood Twitch and moderation–It’s not just about managing someone’s chat– it’s about survival.


Visibility, Algorithms, and Inequality


If harassment defines the emotional cost of streaming as a woman, visibility defines the economic one. On Twitch, discovery is the app’s currency; the more eyes you attract, the more followers, subscribers, and sponsorships you gain. 


But the algorithms that decide who gets seen aren’t neutral. They echo the same gendered power structures that shape the world beyond the screen. For many female, queer, and marginalized creators, the system feels rigged, while being too visible on Twitch brings risk.


Split graphic. Left side shows a woman with wavy light brown hair wearing glasses with gold frames, red lipstick, and a red top, posing with one hand near her chin in a softly lit room decorated with string lights and bookshelves. Right side features a serif quote that reads: “When you see big company activations, it’s always a bunch of men and maybe one woman. There’s a huge gap in opportunity.” — Lydbutton.

As GameHuntaD puts it, “Harassment doesn’t just hurt feelings — it stops growth, it kills motivation, and it pushes people off the platform.”


According to Stream Hatchet’s 2023 “The Impact of Female Streamers on the Streaming Industry” report, women account for roughly a third of active Twitch creators but represent only about 10% of the platform’s top 1,000 streamers, reflecting a stark gap in visibility and monetization. This gap can’t just be explained by content quality alone. 


Female and queer streamers often face slower growth because harassment drives them to private modes of streaming — using follower-only chat, stricter moderation tools, or limiting how often they go live — all of which reduce algorithmic exposure.


“When you see big company activations, it’s always a bunch of men and maybe one woman,” Lydbutton says. “There’s a huge gap in opportunity.” She adds, “A large female streamer must be taking advantage of her community. A man doing a subathon is just a cool guy getting money.”


TabbyBat pushed back against one of the most persistent myths about gender and success on Twitch. “I do think there's this myth of women making more money or being more successful in streaming for being attractive, and I don’t think that’s true,” she said. “If you look at the top 50 streamers on Twitch as of October 2025, only one is a woman.”


Twitch’s monetization changes have also caused issues in the streaming space. The Dexerto 2024 report on “lurkers” — viewers who watch without typing in chat — revealed how Twitch’s new algorithm counts active chatters more heavily than passive viewers. This not only harms small streamers but marginalized audiences who use the lurk feature to watch quietly in order to avoid harassment.


As GamehuntaD noted, “That’s the dumbest thing I’ve ever heard. You’re hurting small streamers. Most of us rely on lurkers — they’re part of the community, even if they don’t talk. Not everyone is comfortable chatting. Some people just want to listen, hang out, or have the stream in the background. That still matters.”


Lydbutton agrees,“Twitch doesn’t uplift small creators. They only listen if you’re a cash cow.”


BrieBello explains that safety and growth on Twitch often seem to be at odds. Harassment, she says, makes people want to retreat or change how they present themselves. The experience is not only uncomfortable but exhausting, forcing creators to constantly adapt to avoid further abuse. For her, even practical choices — like when to stream — are shaped by safety concerns, since late-night hours tend to attract more trolls and toxic viewers. “You start feeling like you don’t want to stream anymore. When someone has negative experiences, the less they want to keep going.” She says.


 Bodies, Boundaries, and the Case of Fandy


When it comes to Twitch’s handling of gender and visibility, few moments reveal its contradictions more clearly than when Fandy — a prominent streamer — gave birth live on stream to nearly 30,000 viewers.  Coverage from both Polygon and The Gamer described it as a world first on the platform. But many people’s reactions were split. While the majority congratulated her for being so open on Twitch, others questioned her motives, claiming that she was exploiting her child’s birth for money and views. 



Yet this criticism stands in stark contrast to public responses when male creators have done the same. When DJ Khaled live-streamed his son’s birth on Snapchat in 2016, the event was largely praised as a display of joy and celebration of fatherhood. Media coverage framed it as innovative and endearing — a moment of positivity that “put love into the universe,” as Khaled himself described the event. The ethical questions surrounding privacy and consent were largely overshadowed by admiration for his openness. Fandy’s broadcast, by contrast, was scrutinized through a moral lens: her visibility was treated as transgressive, her intentions suspect, and her body once again made a site of debate.


This disparity underscores a persistent double standard in digital culture — one that celebrates men’s self-exposure as confidence or creativity while treating women’s as spectacle or manipulation. Visibility, it seems, is not judged by what is shown, but by who is showing it.

 Research supports this double standard. A 2023 study on Gendered Conversation in a Social Game-Streaming Platform found that chats in female-led streams often focused on women’s physical traits — from their clothing to the sound of their voices — reducing them to their appearance rather than engaging with their content. 


Left side shows a woman with short black hair, glasses, and tattoos on her arm, wearing a sleeveless red top and smiling in front of a dark background with red string lights and a mushroom tapestry. Right side features a serif quote that reads: “When I first started streaming […] I absolutely felt like I had to present a certain way […] did my hair and makeup every time, made sure I had some cleavage […] I got WAY more viewers because of this.” — BrieBello.

For women, visibility on Twitch often means being scrutinized, not truly seen. While female streamers are judged for their looks and willingness to perform femininity, male streamers are judged for their gameplay and charisma.


Lydbutton says, “As a woman, I feel like I have to be kind all the time. If I lose my temper once, that’s it — I’ve ruined my career because I’m not the nice girl anymore. I feel pressure daily. If I’m not wearing makeup for stream, I feel like I should be,’ she said. ‘And when I don’t, I swear there’s a difference in viewership.”


BrieBello echoes the pressure to perform for views: “When I first started streaming 10 years ago, I absolutely felt like I had to present a certain way. Literally did my hair and makeup every time, made sure I had some cleavage (no lie), and just would put on a show. And not even shitting you, I got WAY more viewers because of this."


Her reflection mirrors what so many women on the platform describe: success on Twitch is determined by how much of themselves they’re willing to objectify. 


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Fandy’s experience has also opened broader questions about Twitch’s inconsistent moderation policies. In 2024, Twitch banned multiple streamers after sexually explicit acts were caught on stream–cases that made headlines for their shock value as much as the high level of controversy that followed them. Streamer Kimmikka, for example, was suspended after being filmed engaging in a sexual act during a broadcast. This moment spread virally and reignited many debates about what qualifies as "explicit content” on Twitch.


The Future of Twitch: Safety, Equity, and Repair


When it comes to the future of Twitch, it depends on whether Twitch is willing to do more to address the broader safety concerns within the community that go beyond just moderation. 


According to Twitch’s 2024 Transparency Report,  the platform introduced a more proactive approach to sexual harassment in July 2024. The update included clearer policy guidelines, stronger AutoMod detection tools, and expanded community education efforts. These measures were intended to prevent harm before it occurs, and Twitch attributed the subsequent decline in enforcement actions and appeals to early signs of progress toward that goal. 


However, while online harassment often begins in chat, for many streamers it doesn’t end there. What starts as trolling can escalate into stalking, death threats, and real-world danger — a grim reminder that the risks of visibility extend far beyond the screen. For women and queer creators, the boundary between digital and physical safety has become increasingly fragile, exposing deep failures in how platforms like Twitch protect those who power their communities.


In a Rolling Stones article released earlier this year, Streamer Rhodes talks about her experience enduring years of stalking and violent threats from a man who sent her hundreds of abusive messages across email, text, and social media — including explicit death threats. Despite repeatedly reporting the harassment to both police and Twitch, no meaningful action was taken for several years. The constant fear left her depressed, isolated, and unable to attend industry events like TwitchCon, which she was even advised by Twitch staff to avoid for her own safety. Her stalker was finally arrested in 2019 and later convicted of felony and misdemeanor stalking, but Rhodes still fears for her safety today.


In the same article, Streamer Jonna Mae (known as MissesMae) and her partner Mike “Diesel” Carr recount their experience with an obsessive stalker who began harassing them online through Twitch, Facebook, and email. What started as friendly interaction quickly turned into sexually explicit and erratic messages. Despite repeatedly banning him, the man created dozens of new accounts to continue the abuse. Over time, Mae discovered her email spam folder filled with threatening and disturbing messages — including one claiming he had mailed her his sperm. They ultimately decided to take legal action after the man confronted them at a Padres game, having learned of their attendance through social media.


At TwitchCon 2025, popular streamer Emiru reported being assaulted by a man who tried to grab her face and kiss her during a meet-and-greet. The incident sparked outrage among creators, who said it reflected years of unaddressed safety concerns—both on and off the platform. Other women at the convention shared similar accounts of being touched without consent or followed through the venue, raising broader questions about how a company that profits from their visibility could fail to protect them in person.



But the abuse doesn’t come only from followers or fans. Streamer Stephen Flavall with over 100,000 followers across YouTube and Twitch, writes about the rampant toxicity and abuse within the industry–including managers and sponsors–in his memoir Before We Go Live. He devotes an entire section to addressing widespread misogyny in the world of gaming, sharing the experiences of his friends Pathra and Nicholena, who faced waves of online abuse during Hearthstone tournaments, harassment and threats on social media, and professional backlash after turning down advances from male managers.


When asked about the ways Twitch could increase safety for female creators, TabbyBat responds, “Stricter policies regarding harassment and better security measures at cons and events, for starters,” she added. “As it stands now, I don’t feel safe attending cons and events run by Twitch, and I don’t always feel safe while streaming either.”


For BrieBello, Twitch’s efforts to fix harassment often feel performative. “Like any other company, they go where the money is. If they see someone getting harassed and it gets big enough attention, then sure, for marketing they’ll say ‘let’s take care of that, but I know way too many instances where things should've been dealt with and they weren’t. 


Despite the challenges of streaming, TabbyBat says her community is what keeps her grounded, “I think what we've built together is a wonderful thing. I never forget when someone tells me my streams are where they want to be when having a bad day.”  She adds that she hopes her channel can serve as a safe haven for people who feel like they don’t belong — a reflection of her own experiences of being bullied in school and growing up as a lesbian in a deeply religious family.


Until the platform makes meaningful changes, women, queer, and trans creators will keep doing what they’ve always done — showing up to stream anyway. For them, streaming isn’t about numbers or popularity; it’s about building connection, community, and creativity that persist despite the platform’s failures.



This essay would not exist without the insight and generosity of the streamers who shared their experiences and time. Special thanks to:

Their stories — of frustration, resilience, humor, and hope — remind us that streaming is never just about games. It’s about being seen, heard, and believed.





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